1)  Have a story you really want to tell.
2)  Let that story brew in your head until it drives you crazy and you HAVE to put it to paper.
3)  Put it to paper.
4)  Put it on a shelf for a year.
5)  Pull it back off the shelf and revise it with the 40+ changes you've been carrying in your head for a year.
6)  Invite actors to your intervention, aka First Reading.
7)  Put it back on a shelf for a year.
8)  Have a nervous breakdown, have surgery, and get thrown into medically-induced menopause (this may be difficult for male filmmakers).
9)  Pull it back off the shelf and start asking yourself, "Can I?" and "Should I?"  Rinse.  Repeat.  "Can I?"  "Should I?"
10)  Continue asking those questions for at least another year.
11)  Quietly start putting together cast, crew, locations, music, budgets, licenses, equipment, air transportation, housing, shooting schedules, insurance, company legal formations, sets, costumes, flying rigging, etc.  Don't tell anyone, just in case you decide to quit.
12)  Send your screenplay to a few friends who won't tell anyone if it sucks.
13)  Quit on a daily basis, because everything appears to be falling into place WAY too easily.
14)  Lock down two weeks for shooting and put the wheels in motion.
15)  Go on vacation 2 months prior to principal photography, because that will test the waters.
16)  When lead actress pulls out while you're on vacation, do NOT panic.  Just call your friends and get a better actress!
17)  Revisit your overall budget.  Make it a daily budget, so that you can see how much money you will lose at any point during principal photography if you cancel the project.
18)  Two days before principal photography starts, send the screenplay to ONE MORE PERSON, just to be sure you really should do this.
19)  The night before the first day of shooting, consider calling everyone to tell them it's off.
20)  Arrive at the first day of principal photography, knowing that about 300 pieces of the puzzle HAVE to pull together over the next two weeks or you're screwed.  But find peace in knowing that you have your daily budget and know how much money you will lose whenever you finally decide to quit.
21)  Once it starts, have someone take pictures and video, because it will all be a blur and you will remember very little of the next two weeks.
22)  When principal photography is completed, take a deep breath and relax... for about 10 minutes, because NOW the hard part begins:  post-production, including music.
23)  Spend 7 months editing every night.  Watch rough cut after rough cut after rough cut, because every change you make (even small) will alter the pacing.
24)  And when it's done... and you're uploading your 118 minute movie to IMDb and Withoutabox... write down what you've accomplished.  Because you will have forgotten that your ultimate goal in the beginning was simply to write a story for your son to read when he got older.

And thank ALL your friends and family who have held you up during the whole process... who have shared their talents with you... who believe in you... and who never hesitated to be blatantly honest.   Because those people have just made your story worth sharing... :)

Color correction - done.  Audio correction - done.  Test screeners' reviews in.  Now to finish up the credits, write the short/medium/long synopsis, and find two production stills.   And we'll be ready to upload our "little film that just might" and start submitting to film festivals.

Just thinking about that makes my heart ache.  It's been more than 3 long years of carrying it with me at all times...  always hoping I could tell a story and do it (and the people involved) justice.

Mixed emotions is an understatement.  Fear, relief, anxiety, hope, excitement.  There's always something more that could be done.  But, at some point, you just have to let it go... send it out of the nest and see if it flies.

It's almost time... tissue, please... :)
So, it's 12:10am.   The last day of shooting starts with loading the equipment at 8:15am.  We did 99% of the shooting back in January and February, but this flashback scene has been brewing for 3 years, and we've been waiting for a perfect location, perfect weather, and perfect "littles", i.e. Little Sara and Little Charlie.

And although it's a fun little scene... fairgrounds talent show 1972... it is one of the more emotionally difficult for me.  You see... I'm currently sewing my own costume's 40-year-old fringe and sequins onto a new leotard for Little Sara... something my mom did for me back then.  And I'm going to be "recreating" me and my mom from that day.  Although I have to keep my own emotions locked down so as not to startle the children... I do need to give enough of my heart to have the scene play for you, the viewer.  How exactly does one tell someone, "My mom was like this" and then watch it acted out... without yearning for your mother's hug?

P.S.  I sure miss you, Mom and Dad... 
Music is an integral part of a movie.  In some cases, it helps carry the storyline with its lyrics and composition.  In other cases, it simply stays in the background (underscore), puts the audience in a "mood", and helps the movie flow.  Procuring music is often tough for an indie due to budget limitations.

Thanks to dear friends and colleagues, TTBC has eight original songs - some making their music world debut.  And the song titles themselves could serve as a brief synopsis for the movie!

Sara at the Fair - Joel Alpers
For the Taking - The Pat Jordan Band
I've Been Here Before - Joel Alpers
Break the Dam - Marco Cuevas, Mike Sloat, Julia Page, Sara & Jason Pedri
Party Girl - Aqua Nett
You're the One for Me - Aqua Nett
Fly by Night - Joel Alpers
What Will Be - The Pat Jordan Band

In addition, we were able to locate some great creative commons licensed music, also with TTBC-related titles:

Broadway Big Wig
Hot Swing
Gaslamp Funworks
Scheming Weasel
Things Will Work Out
... and my find last night:  Three Year Old Captain.  Aaarrrrgggghhhh... :)

Well, it's almost July 7, 2011, and we're about 95% complete.  So we figured it was time to unveil our little project and tell you a LOT about it!

Hopefully, you've met the cast and crew, watched the trailer, and experienced "The Making Of".  We're polishing up 4 made-for-the-movie original songs, and we have another 2 minutes of scoring to create.  We have 1 short scene to shoot (we're hoping the crazy Northern California weather won't return until we're done).  And then we need to complete audio and color correction.

Right now, we are pushing to get TTBC complete by July 31 and start submitting to Spring 2012 film festivals.  There is a light at the end of the tunnel... and it just turned into a bullet train... :)